UNTITLED, 1974
84 by 84 cm.; 33 by 33 in.
Metal and wood sculpture “ Gujaral’s departure from representational painting started with beautiful collages and murals. Without knowing it himself, he was moving inexorably towards the tantric phenomenology. The meeting point came with his metal and wood constructions. The ancient Hindu yantras, designs that were made as aids to meditation found their apotheosis in Satish Gujral’s latest work . . . Shanta Serbjeet Singh, Span, July 1975 Literature: National Gallery of Modern Art, Satish Gujral, published by Roli Books, 2006, p. 82 illus.